000			01767nam a2200301 4500
999			_c58979 _d58979
020			_a1474429025
020			_a9781474429023
020			_a1474429017
020			_a9781474429016
082	0	4	_a791.4309 _bBRU/C
100	1		_aBruhn, Jørgen,
245	1	0	_aCinema between media :an intermediality approach
260			_aEdinburgh _bEdinburgh university press _c2018
300			_avi, 154 p
520	8		_aCinema has often been seen as a form between media. Early cinema borrowed heavily from traditional performing arts, like theatre and tableau vivant; and the narrative forms of literature, particularly the structure of the novel, have played important roles in shaping narrative cinema. The list of influencing forms goes on, and includes music, architecture, and painting. Following the more recent historical advents of technical media like the VCR and the DVD, and digitalisation and its effects, the notion of cinema as a mixed medium has become even more prominent within film theory. So cinema both has been and is intermedial. However, we argue that the acknowledgement of this has not affected the practice of film analysis to any great extent. This book on cinema and intermediality therefore rethinks both cinema as a form and the practice of film analysis, using concepts and analytical tools derived mainly from the fields of media theory and intermediality.
650		0	_aMotion pictures
650		0	_aMotion picture film
650		0	_aIntermediality.
650		0	_aNew media art.
650		0	_aTechnology and the arts.
650		7	_aIntermediality.
650		7	_aMotion picture film.
650		7	_aMotion pictures.
650		7	_aNew media art.
650		7	_aTechnology and the arts.
700	1		_aGjelsvik, Anne,
942			_cBK