000 | 01303nam a2200241 4500 | ||
---|---|---|---|
020 | _a9780253016256 (hbk.) | ||
082 | 0 | 4 |
_a960 _bKRI/A |
100 | 1 | _aKrings, Matthias, | |
245 | 1 | 0 | _aAfrican appropriations : |
260 |
_aBloomington _bIndiana University Press _c2015 |
||
300 |
_axii, 311 pages : _billustrations ; |
||
490 | 1 | _aAfrican expressive cultures | |
520 | _aWhy would a Hollywood film become a Nigerian video remake, a Tanzanian comic book, or a Congolese music video? Matthias Krings explores the myriad ways Africans respond to the relentless onslaught of global culture. He seeks out places where they have adapted pervasive cultural forms to their own purposes as photo novels, comic books, songs, posters, and even scam letters. These African appropriations reveal the broad scope of cultural mediation that is characteristic of our hyperlinked age. Krings argues that there is no longer an "original" or "faithful copy," but only endless transformations that thrive in the fertile ground of African popular culture. | ||
650 | 0 | _aMass media and culture | |
650 | 0 | _aMass media | |
650 | 0 | _aVideo recordings industry | |
650 | 0 | _aMotion picture industry | |
650 | 7 | _aHISTORY | |
650 | 0 | 7 | _aAnpassung. |
650 | 0 | 7 | _aMassenkultur. |
650 | 0 | 7 | _aRezeption. |
942 | _cBK | ||
999 |
_c45326 _d45328 |