History of the art of music

By: Mathews, W S BMaterial type: TextTextPublication details: New Delhi Global vision 2023Description: 442 pISBN: 9788194730088Subject(s): music -art - history ofDDC classification: 780.357 Summary: About the Book Author has endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader. The entire history of music is classified into five books, placing at the beginning of each book a general chapter defining the central idea and salient features of the step in development therein recounted. Primitive types of musical instruments and an artistic monody without real tonality has been discussed in the first book. The second book examines the apprentice period of modern music. The beginning of free expression in song, opera, oratorio and free instrumental music is described in the third book. The fourth book deals with the flowering time of modern music and the fifth book explains the 19th century romantic music and music of future. The student who will attentively peruse these chapters in succession will have in them a fairly complete account of the entire progress.
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About the Book Author has endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader. The entire history of music is classified into five books, placing at the beginning of each book a general chapter defining the central idea and salient features of the step in development therein recounted. Primitive types of musical instruments and an artistic monody without real tonality has been discussed in the first book. The second book examines the apprentice period of modern music. The beginning of free expression in song, opera, oratorio and free instrumental music is described in the third book. The fourth book deals with the flowering time of modern music and the fifth book explains the 19th century romantic music and music of future. The student who will attentively peruse these chapters in succession will have in them a fairly complete account of the entire progress.

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