A Macat analysis of Griselda Pollock's Vision and difference : feminism, femininity and histories of art
Material type: TextPublication details: London Macat International 2017Description: 82pISBN: 9781912284658Subject(s): Feminism and art Pollock, GriseldaDDC classification: 704.042 Summary: Vision and Difference, published in 1988, is one of the most significant works in feminist visual culture arguing that feminist art history of is a political as well as academic endeavour. Pollock expresses how images are key to the construction of sexual difference, both in visual culture and in broader societal experiences. Her argument places feminist theory at the centre of art history, proffering the idea that a feminist understanding of art history is an analysis of art history itself. This text remains key not only to understand feminine art historically but to grasp strategies for representation in the future and adding to its contemporary value.Item type | Current library | Call number | Status | Date due | Barcode |
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BK | Stack | 704.042 JAK/M (Browse shelf (Opens below)) | Available | 51806 |
Browsing Kannur University Central Library shelves, Shelving location: Stack Close shelf browser (Hides shelf browser)
701.1 MIN/P The psychology of contemporary art | 701.15 LAN/M A Macat analysis of John Berger's Ways of seeing | 701.15 MAT/P The psychology of visual art : Eye, brain and art | 704.042 JAK/M A Macat analysis of Griselda Pollock's Vision and difference : feminism, femininity and histories of art | 704.086 94 DAL Dalit art and visual imagery | 704.9424 GRO Picturing women in late Medieval and Renaissance art / | 704.948943 BUD Buddhist art in India |
Vision and Difference, published in 1988, is one of the most significant works in feminist visual culture arguing that feminist art history of is a political as well as academic endeavour. Pollock expresses how images are key to the construction of sexual difference, both in visual culture and in broader societal experiences.
Her argument places feminist theory at the centre of art history, proffering the idea that a feminist understanding of art history is an analysis of art history itself. This text remains key not only to understand feminine art historically but to grasp strategies for representation in the future and adding to its contemporary value.
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