This volume presents critical appraisals of Medieval Drama, particularly in regard to structure and technique, and the appreciation of theatrical qualities. The selection reflects the marked changes in approaches to pre-Renaissance drama, influenced by new perceptions among both scholars and stage-interpreters.
Following Part One (Early Documents), the main body of the book (Part Two) groups the material in the relevant categories- Mystery Plays, Morality Plays and Interludes, and Aspects of Performance. The Editor's introduction provides a general survey of criticism and scholarship in this field. Preparatory to examining the major elements in the recent studies represented in his selection, Dr. Happe outlines and appraises the pioneering work done in the nineteenth century and in the first half of the twentieth century.