Erotic politics: desire on the renaissance stage
Material type: TextPublication details: London Routledge 1992Description: ix,198pISBN: 0415066476Subject(s): English drama-history and criticism | Political plays, English | Desire in literature | Gender identity in literature | English drama--Early modern and Elizabethan | Psychoanalysis and literature | Renaissance | Sex role in literature | English literatureDDC classification: 822.3093538 Summary: Identifying the stage as a primary site for erotic display, these essays take eroticism in Renaissance culture as a paradigm for issues of sexuality and identity in early modern culture. Contributors examine how the Renaissance stage functioned as a decoder for erotic experience, both reinforcing and subverting expected sexual behaviour. They argue that the dynamics of theatrical eroticism served to deconstruct gender definitions, leaving conventional categories of sexuality blurred, confused - or absent. In seeking to reposition the conventions and subversions of gender and desire in terms of one another, these essays open up an attractive and distinctive perspective in cultural debate.Item type | Current library | Call number | Status | Date due | Barcode |
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BK | Stack | 822.3093538 ERO (Browse shelf (Opens below)) | Available | 14327 |
Browsing Kannur University Central Library shelves, Shelving location: Stack Close shelf browser (Hides shelf browser)
822.3 WEB/T Three Plays: The white Devil, The duchess of Malfi, The devil's law-case | 822.3 WEB/W The white devil; The duchess of Malfi; The devil's law-case; A cure for a cuckold | 822.309 BRA/T Themes and conventions of Elizabethan tragedy | 822.3093538 ERO Erotic politics: desire on the renaissance stage | 822.33 ALT Alternative Shakespeares | 822.33 ARM/S Shakespeare in psychoanalysis | 822.33 BAR/M Marx and Freud: great Shakespeareans |
Includes index.
Identifying the stage as a primary site for erotic display, these essays take eroticism in Renaissance culture as a paradigm for issues of sexuality and identity in early modern culture. Contributors examine how the Renaissance stage functioned as a decoder for erotic experience, both reinforcing and subverting expected sexual behaviour. They argue that the dynamics of theatrical eroticism served to deconstruct gender definitions, leaving conventional categories of sexuality blurred, confused - or absent.
In seeking to reposition the conventions and subversions of gender and desire in terms of one another, these essays open up an attractive and distinctive perspective in cultural debate.
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